The 19th century was a time of upheaval in the history of woodwind instrument making, as the oboe, flute, clarinet and bassoon were fundamentally reformed and numerous new instruments were developed. In many orchestras, however, older designs were able to survive for a long time, as the new models were only hesitantly accepted. This report from a conference of the Institute of Musicology at the Ludwig-Maximilians-Universität in Munich sheds light on this diversity, which is lost today, and places it in a comprehensive context. Experts from musicology, music instrument museums and music practice approach the extraordinarily rich innovations in woodwind instrument making of the 19th century from various perspectives. Innovative technical solutions and new instruments are examined as examples, but local traditions are also examined. With contributions by Klaus Aringer, Geoffrey Burgess, Beatrix Darmstädter, Josef Focht, Heike Fricke, Klaus Hubmann, Gunther Joppig, James Kopp, Thomas Reil, Albert Rice, Sebastian Werr, Henrik Wiese and Ann-Katrin Zimmermann.
To the editor:
Sebastian Werr studied musicology at the FU Berlin and the University of Milan; he received his doctorate at the University of Bayreuth, where he also habilitated in 2008. In addition to the history of woodwind instruments, his research focuses on music theater from the 17th to the 21st century and the social history of music. In 2011 he published an extensive catalog volume on the "History of the Bassoon" with the Wißner-Verlag.
- 言語
- German
- ページ
- 70 pages
- サイズ
- 203 x 254 mm
- ISBN
- 979-8657658989
- メーカー
- Wißner Verlag
- 生産国
- ドイツ
- EAN
- 9783896397751
- 型番
- 1901-000111901-00011
- 法的保証
- ドイツの消費者保護法に基づき、欠陥がある商品または売買契約に適合しない商品について、消費者は販売者に対して無償で修理または交換を請求することができます。また、価格の減額や購入代金の返金を求める権利もあります。これらの権利は、商品が消費者に引き渡された日から2年間有効です。詳細については、
here.
お問い合わせ
Wißner Verlag GmbH & Co. KG
Im Tal 12
86179 Augsburg
Germany
[email protected]
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